Essay About Pop Music Example For Students

Article About Pop Music As an acquaintance we need with notice, that music assumes a specific job in a people’s life. Somebody associated their existence with this craftsmanship and turned into a performer; somebody tunes in to music on earphones while in transit to the school or college. However, it very well may be not really discovered such an individual who might be completely unconcerned with music. All things considered, music causes us adapt to wretchedness, relieves our nerves, makes us live and accuses of positive vitality and positive temperament. Every individual has his/her own melodic taste, which is brought about by the inclination of a specific melodic sort. Along these lines, among the cutting edge and new flammable hits, it is important to feature the most well known music kinds today. Jazz, rock, popular music, disco, creators tune, rap, and so forth all these are new styles of music that live and create as per their own laws. Also, music, being an impression of life, joins together and changes the most differing melodic circles, patterns, styles, sorts, national customs, and even societies, faking them with the cutting edge musicality of life. What is the substance of popular music However, today we will discuss popular music or, as it is likewise called, mainstream music isn't just one of the biggest and most voluminous classes of the advanced music industry, yet additionally a sort of mass culture. It joins different melodic classifications and styles, from rock and people to disco, popular music, and different types, fundamentally popular music making can have business achievement. Consequently, popular music is the most widely recognized melodic class, retaining a wide range of ethnic styles under the right now famous mass melodic pattern. Popular music, for instance, is a fundamental segment of the common course of music and hugy affects the worldwide contemporary melodic culture. This language has become the global language of mass kinds of imaginative inventiveness (specifically, film music depends on it). Its creation systems made new stylish wonders, for example, a video cut. The principle attributes of popular music are the song, straightforward and effectively seeing tune recognition. In pop tunes, the accentuation is on vocals and musicality, substantially less consideration is paid to the instrumental part. A significant job in popular music is played by a cadenced structure: many pop tunes are composed for moving and have an unmistakable, consistent beat. The primary and nearly the main type of creation in popular music is a melody, which is worked by the moderate plan stanza + tune. Actually, popular music is communicated solely in melodies, the writings of which are straightforward and for the most part dedicated to individual experience, for example, love, pity, satisfaction. The feature structure the historical backdrop of popular music Just because, a well known tune was called music, which was mainstream in 1926. Be that as it may, all in all, during the 20s, the popular music industry in its cutting edge sense was conceived. The term â€Å"pop music† itself showed up, as such a great amount in the UK in the mid-50s. Around then, awesome and new styles of youth music, which were genuinely uncontrollably famous, were called so.  In those days, popular music was portrayed by enormous free shows, well known with a wide crowd. In the mid 1960s, the term â€Å"pop music† was utilized to allude to non-customary, non-traditional music. In the sixties of Great Britain, popular music was comparative in sound and thoughts to beat music, and in the US it is as yet indistinguishable from the idea of awesome. In any case, mainstream society point and awesome music are typically isolated. As rock artists will in general communicate, and popular music gets arranged to business achievement. In such manner, pop craftsmen have gotten progressively centered around the flavors of the vast majority and the desires of significant marks inspired by benefits. There is no aspiration in popular music all things considered, tests are not especially invited (particularly in the event that they are not endorsed by the dominant part), so it very well may be called moderate. .ufa424e5602e72d9b444a12a091a6cfc7 , .ufa424e5602e72d9b444a12a091a6cfc7 .postImageUrl , .ufa424e5602e72d9b444a12a091a6cfc7 .focused content zone { min-tallness: 80px; position: relative; } .ufa424e5602e72d9b444a12a091a6cfc7 , .ufa424e5602e72d9b444a12a091a6cfc7:hover , .ufa424e5602e72d9b444a12a091a6cfc7:visited , .ufa424e5602e72d9b444a12a091a6cfc7:active { border:0!important; } .ufa424e5602e72d9b444a12a091a6cfc7 .clearfix:after { content: ; show: table; clear: both; } .ufa424e5602e72d9b444a12a091a6cfc7 { show: square; change: foundation shading 250ms; webkit-progress: foundation shading 250ms; width: 100%; obscurity: 1; progress: murkiness 250ms; webkit-change: darkness 250ms; foundation shading: #95A5A6; } .ufa424e5602e72d9b444a12a091a6cfc7:active , .ufa424e5602e72d9b444a12a091a6cfc7:hover { haziness: 1; change: mistiness 250ms; webkit-change: murkiness 250ms; foundation shading: #2C3E50; } .ufa424e5602e72d9b444a12a091a6cfc7 .focused content zone { width: 100%; position: relative; } .ufa424e5602e72d9b444a12a091a6cfc7 .ctaText { outskirt base: 0 strong #fff; shading: #2980B9; text dimension: 16px; textual style weight: striking; edge: 0; cushioning: 0; text-enhancement: underline; } .ufa424e5602e72d9b444a12a091a6cfc7 .postTitle { shading: #FFFFFF; text dimension: 16px; textual style weight: 600; edge: 0; cushioning: 0; width: 100%; } .ufa424e5602e72d9b444a12a091a6cfc7 .ctaButton { foundation shading: #7F8C8D!important; shading: #2980B9; fringe: none; fringe span: 3px; box-shadow: none; text dimension: 14px; text style weight: intense; line-stature: 26px; moz-fringe sweep: 3px; text-adjust: focus; text-adornment: none; text-shadow: none; width: 80px; min-tallness: 80px; foundation: url(https://artscolumbia.org/wp-content/modules/intelly-related-posts/resources/pictures/straightforward arrow.png)no-rehash; position: outright; right: 0; top: 0; } .ufa424e5602e72d9b444a12a091a6cfc7:hover .ctaButton { foundation shading: #34495E!important; } .ufa424e5602e72d9b444a12a 091a6cfc7 .focused content { show: table; stature: 80px; cushioning left: 18px; top: 0; } .ufa424e5602e72d9b444a12a091a6cfc7-content { show: table-cell; edge: 0; cushioning: 0; cushioning right: 108px; position: relative; vertical-adjust: center; width: 100%; } .ufa424e5602e72d9b444a12a091a6cfc7:after { content: ; show: square; clear: both; } READ: Music Of The 60s Essay ExampleWe can perform such music as a different vocalist as a gathering. The primary subjects are close to home encounters and verses, in any case, now and again there are writings with the intense social topic and even dissent against the framework. Incidentally, the prevalence of this kind depends not just on the vocal attributes of the craftsman yet in addition on the alluring appearance and articulated sexuality. Along these lines, numerous makers utilize a wide range of PR moves to build collection deals. From here tattle, embarrassments, and interests are realized, associated with current pop entertainers. Among the most well known pop artists are ABBA, Boney M, The Beatles, E. Presley, Whitney Houston, A. Franklin, D. Ross, Mireille Mathieu, Johnny Holiday, Dalida, Madonna, Lady Gaga, and so on. As an end, each year  there is various concerts and rivalries on the planet that uncover the best pop vocalists. The most legitimate rivalry of American popular music, in its broadest sense, is the Grammy Awards, such sort of melodic Oscar. Notwithstanding Grammy, there are a wide range of grants, among which the most lofty are the American Music Awards, World Music Awards, MTV Video Music Awards. Additionally, the Eurovision challenge is exceptionally well known. Furthermore, since the 1940s, pop diagrams have been arranged to gauge fame, the principle of which is the Billboard Hot 100.

Ihrm, Describe the Main Challenges of International Staffing

IHRM Describe the mains difficulties of worldwide staffing. These years, global staffing has become a typical setting for MNEs. In the course of the most recent decade, globalization and internationalization of commercial centers had welcomed organizations to exile their assets on track nations and segments. It normally implies that they will confront part of new difficulties to prevail in their procedure. Extending business activities past national limits while attempting to remain powerful on the household showcase requires unpredictable and adjusted systems. The most basic determinants remain to keep a successful worldwide esource the executives. So we will attempt to sum up the various difficulties of global staffing. In an initial segment I will concentrate on the distinctive universal personnel shortages to see well the test measurement. In a second part I will feature the various difficulties raised by the focal thought of exile. Global staffing is the way that organizations o versee worldwide assets, confronting various cutoff points like geographic separation or day- ­? to- ­? day relations with central command for instance. The main test could be express through the opportunities for MNEs to pick a specific source f workers. To start with, the organization can send representatives and administrator from its nation of origin, increasingly known as Parent Country Nationals (PCNs) or ostracizes. Second, they can enroll straightforwardly Host Country National (HCNs) local from that point. Third decision, they can enlist Third Country National (TCNs) who is local from another nation than the host or the nation of origin. Organizations utilize additionally various phases of internationalization and staffing techniques. We can see that organizations for the most part enlist the three kinds of representatives and make them cooperate. We regularly call that a multifaceted administration, showed y the plan to take great abilities of each culture to carry the m to worldwide attitude with included worth, in an expect to make proficiency. The achievement of multifaceted administration is by all accounts a major test in worldwide staffing in the way that it originates from the genuine trouble to select top gifts ready to be effective abroad, added to numerous lawful issues. It appears to be additionally essential to depict the four head global shortages on help that appear to be a various test as in it will condition your entire worldwide administration methodology. The MNEs can decide to utilize an ethnocentric staffing olicy that alludes to the methodology of utilize key positions administrators from the parent home office as opposed to utilizing nearby staff. They will be use to move corporate culture to the outside substance and guarantee a powerful correspondence with home office. Cutoff points are the adjustment of ostracizes and relations with HCNs. Subsequent choice is the polycentric strategy that portrays a methodology of enrollin g HCNs to oversee auxiliaries in their own nation. So there are no language and social hindrances and it’s far less far reaching. Be that as it may, it results a less powerful correspondence with central command and afterward troubles o facilitate exercises. In the geocentric issue the best individuals are looked for key employments all through the association, paying little mind to nationality. It empowers a worldwide firm to build up a pool of senior universal directors yet it is the most broad alternative. To complete, in the regiocentric staffing arrangement, representatives are moved to positions in auxiliaries in different nations, yet remain inside a similar area (Mayrhofer and Brewster â€Å"In Praise of Ethnocentricity†). It grant to introduce a territorial rivalry to progress yet it can likewise prompt distinguishing proof and put worldwide destinations on a second cene. Today, a large portion of the worldwide organizations decide to ostracize top supervisors in remote auxiliaries to control them. Yet, exile is by all accounts the greatest test that they need to manage for the basic explanation that it the primary explanation of disappointment. The chief estimation of exile is the nature of correspondence among PCNs and central station. PCNs don’t have any issue of language hindrance with home nation and really realize the nation of origin top administration. They comprehend their thoughts, procedures and objectives and by results can execute them quicker. They additionally play a standard of information ransfer and really keep up an information base (laws, governmental issues, societies, languages†¦) about the complexities of universal tasks (Downes and Thomas: â€Å"Knowledge Transfer†). Near this information move they serve a strategic corporate culture transmission. So they will execute the company’s culture, its qualities, accepts, strategic follow a specific administration style. One major test of univers al staffing is additionally to conquer the absence of qualified host nation nationals since information in extraordinary zones is required and not straightforwardly accessible in some host nations. Erten- ­? Buch and Mattl ave contemplated the issue in 1999 and they featured the possibility of accentuation of exile as a way to defeat the absence of qualified host nation nationals lies in repaying a long- ­? term absence of a gifted workforce. Exile needs to manage parcel of troubles that turn it out in a major test for worldwide staffing. It is a major point to protect the well comprehension of nearby business condition. It is additionally a major test to stay the organization in the nearby nation by creating contacts and change in accordance with neighborhood puts, a sort of neighborhood accentuation. Universal staffing needs to confront large ultural stuns. Exile directors show up in a total obscure condition; it makes disarray, bewilderment and a specific passionate change. I t is a major test to cross it quick and with progress. Setting up abroad methods additionally manage costs issues. The most evident issue for an organization when sending an expat to another country to be considered is the incredibly significant expenses included. The test is to gauge the enthusiasm between protect this cost or safeguard the less viability you will get by lessening your expense and utilize a HCN. Utilizing an expat in a created nation for a specific timeframe can cost p to four fold the amount of as enlisting nearby staff and eight fold the amount of in creating areas, for example, Asia Pacific. Disappointment rates are likewise a major test and a significant issue. Manager’s powerlessness to adroit, family related issues, absence of inspiration are instances of disappointments. The pace of those being reviewed to the home office is somewhere in the range of 20 and half (Brewster 1991’s report). The significant test of global and regularly missed by In ternational Human Resources Management is the repatriation (Harvey, 1989). The expert progress into the home office cause a great deal of troubles that are most f the time ignored. It is by all accounts an unmeasured phase of internationalization. Taking everything into account we could state that the greatest test is to pick an adjusted procedure of internationalization and discover the reporter shortage on help. Ostracizes appear to speak to an incredibly broad however not generally important venture. Broadcast communications and travel have made the HR capacity of coordinating up managers and representatives a lot simpler throughout the years. The recruiting of top abilities will it be sufficient to cover great central station relations and dispense with geographic separation challenges later on? 2

Blog Archive Friday Factoid MIT Sloans Certificate of Sustainability

Blog Archive Friday Factoid MIT Sloans Certificate of Sustainability Sustainability is at the heart of MIT Sloans nonprofit/social entrepreneurship curriculum. Examples of the more than a dozen sustainability-focused courses are “Entrepreneurs in Innovation: Information Technology, Energy, Biotechnology and Communications,” “Leading Profound Innovation for a More Sustainable World” and “Strategic Opportunities in Energy.” In February 2010, Sloan announced its third specialty certificate option, the Sustainability Certificate.   Open to all MBA and Sloan-related students (e.g., Leaders for Global Operations participants and Sloan Fellows), the new certificate “views sustainability as a function of the interdependent dynamics of economic, societal, and environmental systems, where success overall is influenced by success across all areas and not upon a single factor.” Required courses are System Dynamics, Strategies for Sustainable Business, Sustainable Business Lab, Professional Seminar in Sustainability and a capstone course that will be offered for the first time in Spring 2011.  Students also choose two electives from a list of 30 options. In addition to receiving the certificate, students who pursue it will receive access to Summer Sustainability Internships and a special resume book for sustainability. Share ThisTweet Friday Factoids Massachusetts Institute of Technology (Sloan)

Nelson Mandela And The Game That Made A Nation - 2093 Words

Zain Ahmed Mahoney English 9-9 7 January 2015 Introductory Information Title- Invictus: Nelson Mandela and the Game That Made a Nation Author- John Carlin Genre- Non-Fiction, History Historical Context- Published on November 18, 2009. More of a modern book taking place in the late 1900’s. The book is also made into a movie starring Matt Damon and Morgan Freeman. Invictus is a poem that Nelson Mandela recites and is written by William Ernest Benley. Protagonist- Nelson Mandela is the protagonist. He is fighting for equality and fair treatment for minorities in South Africa yet does so in a loving and compassionate form. A unique man of many talents also. Antagonist- Apartheid government and supporters of the apartheid are the antagonists. They do not want blacks and minorities to gain more power, equality, and fair treatment. Plot Summary- Nelson Mandela’s release for prison on February 11, 1990 and his pavement towards a democratically elected President of South Africa marked a significant change in the country. Changing away from apartheid (system of racial segregation) was difficult for many in South Africa including the majority of Afrikaners (Dutchmen) and other whites in the country. Yet Mandela attempts to unite South Africa by placing all of his support behind the Springboks, the national rugby team. South Africa is hosting the 1995 Rugby World Cup, and the Springboks were considered the team of white South Africa. But Mandela strives to make it a team of allShow MoreRelated How Nelson Mandela used Rugby to unify South Africa Essay1543 Words   |  7 Pagesspending twenty-seven years in prison, Nelson Mandela was released from prison on February 11, 1990. In 1991, Nelson Mandela was chosen to become president of the African National Congress. In 1993, Mandela and South African President F. W. de Klerk announced an agreement that the African National Congress and the National Party form a transitional government, effectively ending apartheid and opening the political process to all South Africans (Williamson). Mandela was elected President of South AfricaRead MoreHow does Clint Eastwood, director of the film, Invictus, use the South African rugby team (the Springboks) as a vehicle to bring a troubled nation together?1119 Words   |  5 Pages director of the film, Invictus, use the South African rugby team (the Springboks) as a vehicle to bring a troubled nation together? Clint Eastwood shows the change in the nation of South Africa in Invictus, using the Springboks as a vehicle. He starts the film with large amounts of separation, followed by the steady change in the middle of the movie, and finishing with the nation combined. In the beginning of the film, Clint Eastwood shows how separated black and white people are and how theyRead MoreLeadership lessons from the movie â€Å"Invictus†1115 Words   |  5 Pagesâ€Å"Invictus† Invictus is a biographical film based on the book Playing the Enemy: Nelson Mandela and the Game That Made a Nation. The story of the film revolves around Nelson Mandela’s efforts and strategy to unite the South African society that is torn apart by apartheid. Upon being elected as the first black President of the nation amidst severe opposition from the whites, Mandela faced an enormous challenge to reconcile the nation and build a democracy in the country devoid of racism. The 1995 Rugby WorldRead MoreNelson Mandela Reflection813 Words   |  4 Pages their sense of belonging to the game, the rules, and it shows they split up into two separate schools or two different fields. Therefore, the nationalism is simply not there, there was no alliance between the two yet. Nelson Mandela changed that in 1994 when he was the first black president. Throughout the film events took place that helped to improve the nation and bring it together as one. For instance, on February Eleventh, Nineteen Ninety Nelson Mandela was released after twenty seven yearsRead MoreThe Legacy of Nelson Mandela1215 Words   |  5 Pagessystem of apartheid (â€Å"In Nelson Mandela’s own words†). Nelson Mandela was a moral compass symbolizing the struggle against racial oppression. Nelson Mandela emerged from prison after twenty-seven years to lead his country to justice. For twenty-seven years he sat in a cell because he believed in a country without apartheid, a country with freedom and human rights. He fought for a country where all people were equal, treated with respect and given equal opportunity. Nelson Mandela looms large in the actionsRead MorePositive Impact Of Nelson Mandela1254 Words   |  6 PagesHaseeb Sial Ms. Poll Global Studies Honors December 11, 2017 Nelson Mandela   Ã‚  Ã‚   Nelson Mandela was a great leader of South Africa. Nelson Rolihlahla   Mandela was born in South Africa on July 18, 1918. He was an anti-apartheid revolutionary, political leader, and philanthropist, who was the first black and democratically elected President. Before Mandela was elected president, South Africa was a country with a white supremacist government, ruled by apartheid. There were racial tensions between whitesRead MoreBlack People and South Africa860 Words   |  4 Pagesmovie through many of the attitudes and actions that people take towards the other race they live in their day by day. What is more, Mandela constitutes one of the most important figures in South Africa, especially for the black race as he liberated themî€  from the apartheid. From those days Mandela has been recognized worldwide as a major symbol of the rainbow nation; a reality of distinction between the black and the white people and its establishing differe nces. In the movie, it is highly representedRead MoreEssay on Media Models In Everyday Life1254 Words   |  6 Pagesof sports to unite people and nations would not be nearly as successful. Sporting events are one of the biggest media spectacles in world culture. Douglas Kellner writes â€Å"media spectacles are those phenomena of media culture that embody contemporary society’s basic values, sever to initiate individuals into a way of life, and dramatize its controversies and straggles, as well as its modes of conflict resolution† (108). The movie Invictus depicts how Nelson Mandela used sports, in particular rugbyRead MoreNelson Mandela Analysis1695 Words   |  7 PagesIn Nelson Mandela’s autobiography A Long Walk to Freedom, the final thought he leaves the reader with as he reflects on the moment’s pause he has taken to look back on his lifelong endeavours is: â€Å"But I can rest only for a moment, for with freedom come responsibilities, and I dare no t linger, for my long walk is not yet ended,† (Mandela, 625). Even in his reflection of the wonderful accomplishments he has achieved in his lifetime Mandela attests to the many responsibilities he still has, and similarRead MoreInvictus Movie Analysis2408 Words   |  10 PagesMovie Analysis Invictus The movie I watched and will review in the following paragraphs is ‘Invictus.’ I took this opportunity to watch this movie and analyze the leadership style of Nelson Mandela along with two others in this film. This report is categorized by a brief review of the motion picture including descriptions of events which I found relevant to the topic and leadership style of three individuals from the movie. The leadership style is done using Kouzes and Posner and also some of

Mountain Man - 1205 Words

The Mountain Man - Dashrath Manjhi Dashrath Manjhi, also known as the Mountain Man, was born in 1934 in a poor family in Gahlour village near Gaya in Bihar, India. His father was a labourer. His wife had to negotiate a treacherous path and spend half a day to fetch water from a distant river. One day a thirsty Manjhi was impatiently waiting for his wife to fetch him water from the other side of the mountain. She had taken longer to come back than usual. Then he saw his wife in the distance but she was coming back empty handed. When he asked his wife, Why are you coming back empty handed and so late? she started crying. She told him that she slipped and fallen down. She also told him that the water pot had broken and that is why she†¦show more content†¦He once decided that he had to visit Delhi and meet the President of India. He did not have enough money to buy a train ticket. So what did he do? He decided to walk all the way to Delhi, a distance of over one thousand kilome ters, along the railway tracks. He did reach Delhi but could not meet the President. Dashrath Manjhi died on 17 August 2007 at AIIMS hospital in Delhi. He was suffering from cancer of gall bladder. To honor Dashrath Manjhi, the Bihar government had announced to name the road built by the Mountain Man as Dashrath Manjhi Road and that hospital in Atri village in Gaya (which is yet to be built), to be named after him. It is unfortunate that Dashrath will not be there to lay the foundation stone when that road is fully developed, but we are sure that his story of determination and courage will continue to be the source of inspiration for many of us in India and abroad. When Manjhi had met Nitish Kumar at a Janata Durbar in in Patna, Nitish Kumar had stood up in reverence to the Mountain Man and even made him sit on the Chief Ministers chair. The Bihar government proposed Manjhis name for the Padma Shri award for social service. But Manjhi did not get the award. The sheer will power of t his man was just amazing. He completed the task in 22 years. It requires tremendous amount of positive attitude to try to achieve ones objective over such a long time. Most of us are willing to give up within a year and quite a few of us are looking forShow MoreRelatedMountain Man1223 Words   |  5 Pages1a. What is Chris considering doing and what factors will he have to align to be successful? Chris is considering the production of a light beer for Mountain Man Brewing Company as a way to compensate for the recent decline in sales and increase in the market for light beer sales. How can the production of a light beer appeal to a younger demographic. What about their light beer will be different from competitors. How much is this new product going to cost and how will he go about launching theRead MoreMountain Man1630 Words   |  7 PagesUNIVERSITY OF ILLINOIS MEMORANDUM TO: Mr. Chris Prangel FROM: Merik Ducker - Section AE1 - Group 8 DATE: September 22, 2015 SUBJECT: Product Launch: Mountain Man Light INTRODUCTION The memorandum will analyze the proposed new product launch of Mountain Man Light (MMLight) for Mr. Chris Prangel, the future owner of the Mountain Man Beer Company (MMBC). More specifically, the memorandum will consider the advantages and disadvantages of launching MMLight, as well as a cost-volume-profit analysisRead MoreMountain Man Beer838 Words   |  4 PagesMOUNTAIN MAN BREWING CASE WRITE-UP Problem Statement: Mountain Man Brewing (MMB) has been successful with only one beer, Mountain Man Lager, but consumption has decreased. The decrease in sales for this beer has caused a decrease in profits, since it is their only product. Mountain Man needs to consider a change in their positioning strategy to increase sales and profits to keep the business successful. Alternative #1: Create, promote and sell Mountain Man Lager Light Pros: It givesRead MoreMountain Man Brewery1384 Words   |  6 PagesJeff Dickinson BUS 656 Case Write up #2 Mountain Man Brewing Company Problem Statement Mountain Man Lagers main customer is an older generation, blue-collar worker, which make up a larger percentage of the sales. In 2005 sales have dropped 2% relative to the prior fiscal year. The cause is from a stiffening competition, a market that is maturing and new products. All of these factors are stealing the customers from the Mountain Man Brewing Company (MMBC). The light beer market is startingRead MoreMountain Man Brewery1697 Words   |  7 PagesSituation†©Analysis†© A) Internal†©environment†© †© General†©characteristics:†© †© ï‚ § Mountain†©Man†©Lager†©is†©a†©family†©owned†©brewing†©company,†©and†©is†©known†©as†©West†© Virginia’s†©beer.†© ï‚ § Change†©of†©CEO,†©as†©the†©founder†©and†©president†©Oscar†©Prangel†©retires,†©leaving†©the†©company†© to†©his†©son†©Chris†©Prangel.†© ï‚ § Due†©to†©changes†©in†©beer†©drinker’s†©preferences,†©the†©company†©is†©experiencing†©a†©decline†©in†© sales†©for†©the†©first†©time†©in†©the†©company’s†©history.†© ï‚ § Mountain†©Man’s†©2005†©revenues†©are†©down†©by†©2%†©relative†©to†©the†©prior†©year,†©while†© Read MoreMountain Man Brewing1794 Words   |  8 Pagesmarketing operations of the Mountain Man Beer Company, a family-owned business he stands to inherit in five years. Mountain Man brews just one beer, Mountain Man Lager, also known as West Virginia s beer and popular among blue-collar workers. Due to changes in beer drinkers taste preferences, the company is now experiencing declining sales for the first time in its history. In response, Chris wants to launch Mountain Man Light, a light beer formulation of Mountain Man Lager, in the hope of attractingRead MoreJeremiah Johnson Essay examples505 Words   |  3 PagesJeremiah Johnson In this movie, one may observe the different attitudes that Americans had towards Indians. The Indians were those unconquered people to the west and the almighty brave, Mountain Man went there, â€Å"forgetting all the troubles he knew,† and away from civilization. The mountain man is going in search of adventure but as this â€Å"adventure† starts he finds that his survival skills are not helping him since he cant even fish and as he is seen by an Indian, who watches him at his attemptRead MoreEssay on Kit Carson1457 Words   |  6 Pagesis best known for his role in the expansion of the West as a trapper, explorer, scout and American soldier. Carson not only spent time carving the path to the west, he defended it in battle as an officer in the U.S. Army. One of the most famous mountain men of the Westward movement, Carson has had several landmarks, cities, and areas named after him. Among these are Carson, Colorado, Carson City, Nevada, Carson Pass and the Carson River. (Sanford Green) Kit Carson has been a part of AmericanRead MoreMountain Man Brewing Company1206 Words   |  5 PagesMountain Man Brewing Company | To: | Chris Prangel | From: | 001706975 | CC: | David Nasser | Date: | 3/4/2013 | Re: | Bringing the Brand to Light | Comments: | For the first time in the company’s history, Mountain Man Brewing Company is experiencing declining sales in response to changes in beer drinkers’ preferences. Mr. Prangel’s response to this problem is introducing a â€Å"light beer† form of the popular Lager. In the past six years, the â€Å"light beer† industry as increased at an annualRead MoreCost and Mountain Man Light771 Words   |  4 PagesLoss due to light beer entry .05 * Contribution Launch advertising costs Incremental SGA expenditures Incremental costs associated with Light Product E.C. Light Market Assumed Market for ligth beer (b/s) *1 Market share for Mountain Man Light Barrels sold Mountain Man Light Contribution of Light Product *2 Net change in contribution *3 Discount factor Present value 5 Year NPV 750,000 900,000 $2,416,184 0 900,000 $1,650,860 0 900,000 $1,635,843 0 900,000 $1,621,126 0 900,000 $1

Illegal Immigrants And Illegal Immigration - 1710 Words

Illegal Immigration in the US What does illegal immigration mean to a hardworking, middle class worker providing for a family of four? What does illegal immigration mean to someone who is getting jobs taken right underneath them from illegal immigrants that are willing to work the same job for a lower paycheck? Illegal immigration is an epidemic occurring in the United States of America, the land of the free (to the legal citizens). There are many reasons why immigration is harmful and in some cases non harmful. Illegal immigration has a wide variety of negative effects to the United States. Illegal immigration brings criminals into the country, illegal immigrants brings non-violent people that are in search for jobs, and then illegal immigrants are taking US citizens jobs at a lower cost, Immigration opens the doors to many possibilities, from religious freedom to doing to the best colleges in the world. According to the article â€Å"Push and Pull Factors†, a reason for illegal immigration is people are getting persecuted from their beliefs and they want to go somewhere where they can practice their beliefs without any interruptions from the government. Many people flee from countries in the Middle East to have rights so they can practice their beliefs. In the Bill of Rights, the first amendment backs up the freedom of religion. If a person is born in the US they have the right to practice any religion that they desire. That is an attraction from to the Land of theShow MoreRelatedIllegal Immigration : Illegal Immigrants955 Words   |  4 PagesIllegal Immigration Problems In the United States, there are roughly eleven million people who can be classified as illegal immigrants, which is by far way too many. When it comes to the history of illegal immigrants, most United States citizens could be considered as an illegal immigrant. In the early years of American history, our ancestors fled into this country for better life styles and to start their own families. During this time there were not laws dealing with who could and could not enterRead MoreIllegal Immigrants : Illegal Immigration1627 Words   |  7 PagesIllegal Immigration in the US What does illegal immigration mean to a hard working, middle class worker providing for a family of four? What does illegal immigration mean to someone who is getting jobs taken right underneath them from illegal immigrants that are willing to work the same job for a lower paycheck? What does illegal immigration mean to someone who is in need for a job? 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If something is not done soon, this may get out of hand and be to gone far not to handle. The number of illegal immigrants have gone up over the past years drastically In 2011, there were 40 million immigrants in the U.S. Of that 11.1 million were illegal. Although the number of illegalRead MoreIllegal Immigrants : Illegal Immigration1155 Words   |  5 PagesIntroduction Illegal Immigration is a huge topic especially in 2017, bringing in different aspects about illegal immigrants. Illegal immigrants are told to be killers, drug dealers, job stealers and whom also hurt the U.S. economy. Is this true? Could it possibly be that they do all of this to hurt the United States? Or could it be that they truly come here for the American Dream? 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The migrating people are motivated by the better non-skilled or semi-skilled employment opportunities in the USA and the relatively higher remuneration for se rvices rendered in the USA than in the neighbor countries especially Mexico (HansonRead MoreIllegal Immigrants And Illegal Immigration1286 Words   |  6 Pages Undocumented Immigration An analysis of illegal immigration in the United States reveals one challenge facing the banks and other institutions: whether to provide banking and other services to the illegal immigrants or to treat them as criminals because they are illegal and therefore, not to provide them with banking and other services. The articles, â€Å"Crossing the Line† by Stein and â€Å"Illegal Immigrants – They’re Money,† by Rodriguez discuss the impact of illegal immigration in the United StatesRead MoreIllegal Immigration And Illegal Immigrants1335 Words   |  6 PagesIllegal immigration has been one of the main topics during the last three presidential election. 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Fashion What you wear defines who you are Essay Example For Students

Fashion: What you wear defines who you are Essay Fashion is an enormous icon in our society. It is practically the thing we can never go without. We make our very first impression by what we wear not by our personalities. They say you are what you eat but truly you are what you wear and fashion has provided us with a little something to define everyone. There are so many styles of fashion: Goth, Chic, Prep, Hippies etc. Every style has its own description so why would we not be classified into that style and its description that fits us perfectly. What we wear can also make it easy for us to identify people and whether they are ho we want to socialism with, I. E. An individual wearing all Goth (black colored clothing) would not befriend someone who wears preppy clothing (beige colored clothing). Fashion plays an even bigger role when it comes to uniforms; do you that think without uniforms we would be able to identify the authority on our streets? Do you think that we would have the same respect for a doctor in a Sears and t-shirt? A number of religions prescribed a specific clothing style aside for us. Our designers are creative geniuses in all aspects. There is no obvious reason as to why we buy the yep of wardrobes we do. It could be to make a statement to get noticed, I. E. Prostitutes are easy to spot with their provocative style of fashion. Others might Just be copying the current trend this makes it hard for to prove the theory of what you wear defines you but then we could Judge these individuals as those who have not found a style that defines them. We wear clothes to beautify ourselves to attract the attention we seek. We dress a certain way that mirrors the mood we are in, happy = bright colored clothing sad = grey and baggy clothing, there are many seasons as to why we take hours Just deciding what to wear because it is essential in our lives to create the correct mood, persona, background, etc. Why wouldnt one agree with this statement? We choose the clothes we wear by the way we want to be perceived by others, fact. Several options about how could one not define ones self with it. They say dont Judge a book by its cover but in the end we still go ahead and judge this is the same for fashion which is why we make sure we always look good. We do not need loincloths anymore to Just cover up it is the 21st century! There is a whole new meaning to clothing ourselves. WORDS: 450

Biology Test Cells Essays - Organelles, Chloroplast,

Biology Test: Cells My brother was studying for his biology test. The next morning he was telling me about the dream he had. He said he traveled through a cell. I started to call him insane. My brother have an educational dream? I thought to myself, impossible. My brother started to tell me his crazy dream. The first place he came upon was the cell wall. He was trying to find a way out. He said he started to talk to the cell wall. He asked the cell wall the way out. The cell wall said to him How should I know? Im the outer most part of the cell all I do is make cellulose. You might want to ask the cell membrane she is right next to me. He told me he didnt have to walk far to get to the cell membrane. He described the inside of the cell membrane. He said he saw parts flying in and out of there. Kind of like an assembly line. He asked the cell membrane the way out. The cell membrane just replied How should I know? Im an envelope that engulfs the cell which permits a passage of materials into and out of the cell. Im very thin and flexible. You might want to ask the chloroplast. He went on with the story by walking to the chloroplast. He asked the chloroplast the way out here. The chloroplast just said, I have no idea. Will you stop bugging m e Im trying to work? Whats your job my brother asked. The chloroplast replied, I help with the photosynthesis process by providing chlorophyll. If you want to get out of here ask the mitochondria. As my brother was on his way to the mitochondria he saw a small round structure that looked like a bean. My brother asked, What are you and what job do you do? Im a lysosome I help in the digestive activities of the cell. My brother asked her do you know where the mitochondria? The lysosome replied, of course he is right over there. My brother started to walk that way. He asked the mitochondria the way out. The mitochondria said I dont know all I know is how to do my job. Whats your job? my brother asked. The mitochondria replied in a deep tone, Im the powerhouse of the cell in which cellular respiration occurs. If youre looking for a way out ask the endoplasmic reticulum on with the story he went. He said when he got to the endoplasmic reticulum he was very rude. My brother asked him t he way out. The endoplasmic reticulum yelled, I have no idea and why are you disturbing me I must get back to work. What exactly is your job in the cell? my brother replied. I have tubes as you can see all over the cells that substances are transported through, oh if your looking for the way out you might want to ask the ribosomes. the endoplasmic reticulum said. On his way he went to the ribosomes. The ribosomes were much nicer. There was a big group of them. He asked them if they knew the way out. All the ribosomes said, We dont know. All we know is how to make site of the cell. If you want to know the way out ask the cytoplasm. He went on his way to the cytoplasm. When he asked the cytoplasm the way out, seemed sad my brother said. The cytoplasm replied I dont know. My brother asked, Why are you so sad? Im not important at all Im just a little space between the cell membrane and the nucleus. My brother replied, Your important without you there is no cell. Your right if youre looking for a way out talk to the boss, the nucleus. On he went to the nucleus. My brother asked him the way out. The nucleus replied, go the way you came in, go through the cell wall. You walked all over the cell when you were at the way out to start. I direct all activities in the cell. All I

MCAT Scoring 101

MCAT Scoring 101 MCAT Score Frequently Asked Questions    MCAT scoring information will no doubt have you lying awake at night, worried that you may have missed something. Sometimes, you can get so worried about your score, that it prohibits you from doing your absolute best on the exam itself. Lets not go there, shall we? Heres MCAT Scoring 101. This article contains details about how your MCAT score works, so you dont divert any of those very important brain cells toward needless fretfulness. Trust me, youll have enough to worry about when it comes time to prepare for this bad boy! MCAT Scoring Basics When you get your MCAT score report back, youll see scores for the four multiple choice sections:  Biological and Biochemical Foundations of Living Systems,  Chemical and Physical Foundations of Biological Systems,  Psychological, Social, and Biological Foundations of Behavior, and  Critical Analysis and Reasoning Skills  (CARS).  Ã‚   MCAT Score Report When you get your score report back, youll see your percentile ranks, confidence bands and score profiles. The percentile rank is merely how well youve done in comparison to others whove taken your exam. Youll see percentile ranks for every one of the four sections and your overall score. The confidence bands are visual clues to show the approximate area where your score lies, since the scores from the MCAT will never be perfectly precise (statistics rarely are). The confidence bands help discourage distinctions between test-takers with really similar scores. The score profiles show your weaknesses and strengths across all four sections.   MCAT Scoring Numbers Each one of the four sections can earn you between a 118 and a 132, making your highest possible cumulative score a 528 since the cumulative score is the sum of the four sections instead of an average. At press time, the national MCAT score average was a 500.   MCAT Raw to Scaled Scoring Your scores are based on the number of questions you answer correctly, but since you realize that you will be answering more than 15 questions per section, there is some score scaling involed. You are not penalized for incorrect or incomplete answers; only your accurate answers are counted.  The scaling system is not a constant thing, either, in order to account for different questions on different exams. A new raw to scaled score table is defined for each MCAT administration to provide for variances in testing questions. MCAT Scoring Retrieval So, how do you get your score report? In order to retrieve your MCAT scores, youll need to use the MCAT Testing History (THx) System on the AAMC website and will have to have an AAMC login user name and password. The THx is the online score release site that you use to view your scores and send them to different application services/schools. Your scores will be available about 30 – 35 days after you test, so keep that in mind when you register if youre pushing your application deadline! Current MCAT Score Release Dates Sending Your MCAT Scores Once you access your score report after logging in, click the link that reads â€Å"send all my scores.† On the next screen, you can scroll through different application services and schools to which youd like to submit your scores. Click the recipients youd like and then scroll to the bottom of the screen and hit Submit to send your scores. Since AAMC has a full disclosure policy, you may not send select scores to schools. If you choose to send, youll be sending every one of your MCAT scores from each test administration if youve tested more than once. More MCAT Scoring Information So, now you know the basics! If youd like more answers to all of your MCAT scoring questions, then take a peek at these MCAT Score FAQs to find out about things like what good MCAT scores look like based on the top 15 schools, average national MCAT scores, score percentiles and more!

How might the U.S. relationship with Asia be different if the U.S. war Essay

How might the U.S. relationship with Asia be different if the U.S. war in Iraq ended What about Afghanistan - Essay Example Pulling out of Iraq and perhaps even Afghanistan will perhaps lead to some form of ease in the countries neighboring the two. Pakistanis and Iranians are ill at ease with the Americans so close to their borders especially since the American drones are constantly crossing borders to bomb targets in the Pakistani tribal region (n.a 2010). Pulling out of the two occupied countries will definitely help the US focus its resources in areas that need it. The economy of the nation is staggering and needs to be focused and prioritized and perhaps the pulling out will also help relations with Asian nations who don’t feel that the close proximity of the American troops is a sign of concern. Works Cited Liang, Yan. US looks to Asia after Iraq withdrawal. September 2, 2010. http://opinion.globaltimes.cn/commentary/2010-09/569748.html (accessed February 14, 2011). n.a. "22 drone attacks in Pakistan in September." GEO. September 29, 2010. http://www.geo.tv/9-29-2010/72082.htm (accessed Febru ary 14, 2011).

Visual Arts - Scuplture Essay Example | Topics and Well Written Essays - 1500 words

Visual Arts - Scuplture - Essay Example A professional artist ensures that he or she has all the essential materials before commencing into any work of arts. Any person who has ever worked on a newspaper printing station will understand this best. Space is a fundamental factor in sculpture (Slobodkin 118). The same principle applies to sculpture. An artist should also accustom and remind themselves of terms like bottom-heavy and top-heavy. He or she should also be aware if the object in the visual field is correctly and well distributed to easily give a sense of balance. All these fall under composition, that is, the wise use of space and balance in artistic works. The next concept that artists need to know is to move into any position that will distribute the visual information in a wise manner. They may also need to add a background material in order to get everything balancing well (Slobodkin 119). An example is the existence of a pair of slippers beneath every female nude. Another consequence of this is the way with wh ich the shapes of the formed objects line up with each other. They look like a piece of the puzzle. Despite the fact that the object always appear in a 3-dimensional space, much consideration is put on how 3-D visual information manages to impact on a two dimensional plane. Through this, any two dimensional shape can easily interact with a three dimensional form in a perfect manner. Artists sometimes use basic forms of sculpture and ensure that they echo them in various places in the same visual field. Moreover, artists sometimes increase the variations such as a fugue by the Bach. An example of this type of a compositional dance is the great Newberry’s Blithe, in which two-dimensional tapestry behind a woman echoes and reflects the curves on her body. Another important concept of a sculpture is the sweeping forms. Some sculptures look as if they are about to fall or move. Such sculptures make viewers feel as if they will fall or move behind their backs (Slobodkin 120). Such sculptures hold the eyes and make the viewers watch them with a lot of suspicion and probably wait for something to happen. The eyes flow over the cascading limbs and muscles. The key to comprehending this effect is trying to locate the eye-catching points. Such points include feet position, kneecaps alignments, hands location, finger directions, waist and chest axes, limb joint position, hair strands, and the eyes. After the location of these points, they are connected to the sweeping and twisting lane. The intensity of this plane normally varies across figures but it usually grows in a uniform direction of movement. There may be an expansion of twisting lines of contact or intensity, depending on the existing pieces. There is a sequence of events in every sculpture. This sequence exits in time but are sometimes held stationary by the bronze. This movement comes from the viewer’s eye motion, as they tend to follow these striking features. In a very short time, an individual is able to experience subconsciously this sweeping form without the ability to identify and determine the direction consciously. However, taking the eyes and carefully moving them over the piece enables an individual, one is able to watch and see how the sculpture is generated, built up and explodes in denouement, and in a resolution of various interacting forms.

History of Sensory Theatre

History of Sensory Theatre What does sensory theatre mean to the modern audience? Asone of the oldest art forms and as one of the primeval kinds of humanexpression, the nature of theatre is as varied across the continents aspainting, pottery, sculpture or any of the classic art-forms. Each civilization, each society, each gathering of humankind has had its personalform of theatrical performance from street artists to court jesters to nomadicplayers. Many would say that this variety at the very core of theatrical achievement is what has permitted theatre to take such a respected and crucialpart of our modern societies. Too often it is claimed that our present daylifestyles leave little time for abstract thinking and artistic appreciation orachievement. This is lamentable but thankfully not usually true. One need only observe the continuation of events such as the Welsh National Eisteddfod forhundreds of years to realize that the human desire and need for theatre willnever diminish. However, this is not to say that modern society has not changed theatre. It is only natural that artistic output should be modeled by the lifestyle surrounding it. After all, warlike civilizations such as the Vikings delighted in the narrating of age-old sagas whereas more enlightened peoples like the Ancient Greeks would draw inspiration from mythical dramas which detailed the flaws at the heart of humanity and their relationships with their gods, representing a search for elements greater than themselves. However,we can take it as certain that the theatrical productions of the last fiftyyears have overwhelmingly been part of a resurgence of theatrical diversity. Asthe free market has made nations more accessible to each other, a rise ininterest for all sorts of artistic expression has been felt around the world.Herein, we shall focus on the analysis and comprehension of one of these.Sensory theatre, or at least the old meaning of the term, is not a new concept.At its very core, much of what constitutes theatre relies heavily on the senses,both those of the audience and that of the actors. Nevertheless, at a time whenour fast-paced lifestyle seems to reject anything out of the ordinary or whichcan be labeled as different, it is refreshing to feel that this resurgence hasregenerated one of the truly great aspects of theatre, oft labeled as post-modernistbut one which links so much of relatively recent artistic output across theboundaries of different art forms: Post-modernity,in attacking the perceived elitist approach of Modernism, sought greaterconnection with broader audiences. This is often labelled accessibility andis a central point of dispute in the question of the value of postmodern art.It has also embraced the mixing of words with art, collage and other movementsin modernity, in an attempt to create more multiplicity of medium and message.Much of this centers on a shift of basic subject matter: postmodern artistsregard the mass media as a fundamental subject for art, and use forms, tropes,and materials such as banks of video monitors, found art, and depictions ofmedia objects as focal points for their artPostmodernisms critical stance isinterlinked with presenting new appraisals of previous works. As implied abovethe works of the Dada movement received greater attention, as didcollagists such as Robert Rauschenberg, whose works were initiallyconsidered unimportant in the context of the modernism of the 1950s, but who, bythe 1980 s, beganto be seen as seminal. Post-modernism also elevated the importance of cinema in artisticdiscussions, placing it on a peer level with the other fine arts. This is bothbecause of the blurring of distinctions between high andlow forms, and because of the recognition that cinema representedthe creation of simulacra which was later duplicated in the other arts. (Wikipedia,2005) Inthis dissertation, we shall be analyzing aspects of sensory theatre as has beenexplored and toyed with by some great artisans of the craft. Despite anyproblems we have with wholesale rejection of this type of theatre, in the interestof fair-minded and complete research, we shall pay due attention to theAristotelian school of thought. That which claims that theatre is a particulartype of experience, one from which the audience member should feel cleansed andhave learnt a lesson. This is a valid point of view, one which we shallthoroughly explore in order to see if it is indeed more artisticallyjustifiable than sensory theatre. Afterexploring Aristotles opinions, we shall look in further depth at the nature ofsensory theatre. What does this term mean? How is each sense tapped? Can themelding of experiences of several senses which are simultaneously stimulatedprovide an elevating experience? For this exploration, we shall use the casestudy of Dwr (water in Welsh), a sensory piece of theatre put on in2003, using water, light and various materials to explore reactions amongst itsaudience. The reasons for using this play are that it was an audiovisualexperience as well as a mere theatrical one as projections and cameras were anintegral part of the performance. Furthermore, the sensory effect of theaudience can be better analyzed as members of the audience were also used inthe play, their reactions helping to define the type of sensory experience. However, Dwr also gives us a good example of Brechtian theatre for the number of levels the play takes on. The actors themselves act as facilitators for the audience to receive personal sensory experiences. With only a minority of audience members taking part in the play, we can gain two further levels of emotional depth and complexity. The general background of the audience will see their emotions and senses assailed by the movements, gestures and decisions of those taking part while this minority will be subjected to sensory input and emit feedback with no room for forethought or planning ahead. Thus, we shall provide a very definite and interesting example to back up any clear defining of sensory theatre we come to. We shall also look at how Dwr fits into the patterns of sensory theatre created by Brecht and Artaud and how its attitude towards its audience defines this multi-tiered theatre as one of the crucial points of sensory theatre. However,no analysis of sensory theatre without detailed research into the works ofpioneers of the genre. Here, we have chosen to look at Bertolt Brecht andAntonin Artaud, each for specific reasons. Brechts attitude, utterly inconflict with the age-old Aristotelian views of theatre, helped build hisreputation as an agitateur who decided to stamp his own distinctive markupon an art form he viewed as static. Thus, the habits of Brechtian theatre oftotal acknowledgement of the audience caused as much mirth as it did anger. Onthe other hand, Artaud provided his audience with a completely integralexperience. By using sensory theatre to deny audience members their usual rightto involve themselves in a performance to a degree of their choice, Artaud madesure his plays would deeply shock his audiences. We will be exploring Artaudstechniques as well as his reasons for providing this kind of theatre. It is the goal of this dissertation to highlight the differences that make sensory theatre an integral genre of its own, containing so many outlets for creativity, expression and emotional impact as to make it not only an interesting part of theatre but an essential one. Its recent resurgence will thus provide us with an ideal platform from which to assess its meaning to a modern audience. TheAristotelian view of theatrical norms Goodoratory can blow the walls off brick buildings. Not just in the real world ofpolitical speeches or rallies but in the arts as well. As one of the only formsof human expression where no point of view is unheard, no eventuality unconsidered,no leaf left unturned, theatre has throughout its history naturally overthrownand shrugged off any shackles or conventions attached to it. This idea couldgive rise to an impression of mayhem and anarchy in an art form that had runaway with its own importance. As one of the leading figures in the history ofliterature, Aristotles views on the nature and importance of theatre arewell-documented and naturally thought of as still relevant today. Aristotlehad the very human characteristic of harking back to the good old days, andthinking them much better than the days in which he lived. Taking scant accountof Aeschylus,he regarded Sophoclesand Euripidesas models in tragedy. His chief complaints were that the poets of his own timespoiled their work by rhetorical display; that the actor was often of moreimportance than the play; and that the poets tampered with the plot in order togive a favorite actor an opportunity of displaying his special talent. He saidthat the poets were deficient in the power of portraying character, and that itwas not even fair to compare them with the giants of the former era. (FletcherBellinger, pp.61, 1967) However,in the matter of sensory theatre, we run into an area of some problems. Beingof a conservative mind-set which appreciated theatre for the moral lessonscontained within the narrative, Aristotle worshipped Sophocles with hisstraight and narrow approach to theatrical drama whilst eschewing the work ofhis contemporaries as being too popular, too watered down to meet the needs ofa public desirous of less preaching and more fun within the theatre. Aristotlepossessed perhaps what could be interpreted as a rather narrow view in that hesaw tragedy as the greatest form of dramatic expression, almost utterly passingoff on comedy as mere fluff as compared to tragedy with the great lessonscontained within it. Furthermore, Aristotle also considered tragedy to bemagnificent when it also contained a clear and well constructed narrativeframework and mythological references to the deeds of greater men and gods in anobler past. Although Aristotles writings on these topics did make a lot ofsense, they are considered somewhat restrictive and far too imbued with theirown authority to be seen as of much use today. After all, in a society wherethe possibilities of theatre are slowly catching up with those of television orcinema as directors, playwrights and stage designers are always exploring newavenues of performance, Aristotles three unities of time, place and actionseem ready to be retired. Their far-too stringent requirements of both cast andcrew make them almost impossible to operate in the modern world of freetheatre. This is no longer a society where the writings of one man, whoever he may be, carry enough influence to truly make as significant an impact as in Ancient Greece. It is not to say that Aristotle should be disregarded but concerning sensory theatre, rules relating how plot should be more important than character and how all the action in a tragedy should be centered around a personage of importance to better capture the attention of a fickle audience seem slightly moot. Its relevance is in the fact that much of what is known of theatrical conventions among a lay audience is heavily based on Ancient Greek theatrical philosophy, particularly Aristotle. It is precisely this philosophy that sensory theatre will have to overcome in order to claim its place as a rightful and deserving genre of theatrical achievement across the globe. Visual,auditory, tactileDwr Choosingan example to illustrate the nature of sensory theatre is a tricky balancingact as one must therefore, in some way at least, pre-define ones understandingof the genre. How do we choose between the senses? After all, since the name ofsensory theatre does not make any kind of distinction, do we consider thesenses of sight and hearing more important than the other three since they areoverwhelmingly the most stimulated in matters of theatre? A distinction such asthis would make sense certainly but since sensory theatre is often seen asstanding alone from usual theatre, perhaps it would be unfair to appraise itthanks to assumptions based on more conventional modes of theatre. Instead,the best way to gain a true idea of sensory theatres range of potentialimpacts would be to base an example upon several criteria. Firstly, although itwould be somewhat over-expectant to try and find a play which could tap allfive of our senses, several attempts at sensory theatre have successfullyenga ged audiences on three senses, if not four. Herein has been chosen Dwr,a Welsh piece put on in 2003 in Aberystwyth and then broadcast on S4C on thearts programme, Croma. Theset-up of the piece was simple. The audience were seated on one side of thestage on a raised-up area, overlooking a long perpendicular dinner table. Theinside of the table, rather than being an ordinary flat surface, had beenhollowed in order to form a shallow pool about six inches deep along thetables entire length. The pool was filled with a level amount of clear waterat the bottom of which a table had been set ready for dinner, complete withplates, cutlery, glasses and napkins. Above the audience, shining down upon thetable was a strong projector which reflected the pool of water onto a backprojection screen in a way which magnified and increased the shadows cast byany ripples in the water. Six audience members were asked to be seated at thetable, as if for dinner before being submitted to a range of experiences by theactors whilst cameras recorded their reactions. These sensory experiments allinvolved stimulation of an audience member in matters of sight, sound, taste orfeelin g. We shall look at the manner in which each of these senses was tappedas well as Dwrs technical set-up. Firstof all, if one were to ask any theatre-goers, it would be certain that even themost intermittent of these would claim the two most stimulated senses in thetheatre are that of sight and hearing. Whilst conventional thinking would allowthis to be true, a cynical perspective would add that since our behinds orfeet, depending on posture, contribute much to the enjoyment of a theatricalperformance three senses, not two, must all be satisfied for a performance tobe considered praise-worthy. After all, although stage design is an oftforgotten art among those who are not privileged to the inner workings oftheatre, the choice of venue often signifies how an audience will feel duringthe performance. Stage design is often considered only in terms of sets, propsand technical apparatus whilst the idea of crowd comfort is often overlooked. In the case of Dwr, the crowd comfort was adequate but the truly interesting phenomenon for the audience of this play was that their peers were submitted to the action contained within it. The stage design was such that the light poured onto the water was bright enough to cause the right amount of shadow reflection whilst not blinding either the audience or the actors. This careful use of projection in order to achieve the desired effect was a technique made famous of Josef Svoboda who pioneered the use of audiovisual projection in theatre to enhance the general experience. The stimulation capabilities of a performance, when combined with camera and sound equipment, is vastly heightened thus cementing Svoboda as one of the great names of sensory theatre. Asfar as the audience members who became a part of the performance itself, thesenses stimulated were done so in a way which gave every sense the time tofully absorb the impact of its experience. First of all, each audience memberwas seated at the table in the guise of a dinner guest but asked not to talk toeach other or carry out any action except if indicated to do so by one of thesurrounding cast. First of all, each dinner guest was asked to remove theirshoes and socks before climbing onto the table into the water. The stage itselfwas kept at a warm temperature in contrast to the cold water, making the changein surroundings quite drastic. Then, the audience member was asked to burst aplastic bag full of water with a long hooked pole. The water would thus droponto the audience member along with a fake plaster egg. The audience member would then be lead back to their seat, given a towel to dry off before being given two chopsticks. After breaking the egg on the side of the table, the contents would then be spilt onto the plate just below the surface of the water. Each egg contained some food coloring, spreading across the table along with the ripples, along with a small piece of paper. Each piece of paper showed the face of a man, wearing different emotions, whilst a brief poem on the back seemed to explain the expression, a poem that would be read by one of the surrounding cast to the relevant audience member. The relationship between the pictures and the poems may not have been immediately obvious but the reactions of the audience members were still assured to be both personal, if not natural due to unusual surroundings and odd experiences. These reactions were filmed by the technical crew on video cameras, adding another level of complexity to the performance as the traditional boundaries between cast and crew become blurred. Furthermore, Dwrs entire performance was played out under a constantly shifting pattern of music which although always instrumental would speed up in tone or gently slow down in function of events happening in the play. Thepurpose of using Dwr as an illustration of the modern applications ofsensory theatre and its meaning to a present-day audience is threefold. Firstof all, the timing of the piece and its broadcasting on a national channelalong with subsequent interviews with the chosen audience members proves theinterest placed in it by a major broadcaster as the BBC has major impact uponS4C scheduling. Secondly, the sensual experience of the show provided afascinating outlet for the audience members, both for those who took an activepart or a passive part, to find out more about what constitutes modern sensorytheatre. Although the audience numbers for this show were relatively small and thus can only provide us with a minor cross-section of theatre-goers, the positive feedback gained at the end during the interviews can give a lot of hope as to the future of sensory theatre. Finally, to use an example such as Dwr gives us a view as to what kind of reaction this genre of theatre would meet with. Dwr covers a broad base of sensory theatre as its performance, not only stimulating several of the senses themselves, dealt with a range of theatrical theories and ideologies which we shall look at in further detail. By separating audience members from each other, creating many layers of reality between crew and cast, audience and cast and audience and crew, Dwr rejectedmany traditional aspects of theatrical performance. However, by engaging its audience/cast members with an individual experience through the messages contained within the eggshells and filming their response, Dwr could be said to have engaged with a more conservative Aristotelian version of theatre. Each audience member not involved with the show directly as a dinner guest will have experience the play as a visual and auditive experience but it is for the six members of the audience at each performance that Dwr transcended the limits of ordinary theatre and became a emotional and sensory journey felt by each in their own individual way. Below, we will be casting an eye at the ways in which theatrical pioneers such as Brecht and Artaud tackled the rigours and the conventions of an art form that they viewed as being a free form, lacking in any structural restrictions. Before doing so, we can still observe that even if Dwr did pander even the slightest bit towards an Aristotelian theatre, the main body of its performance was firmly in the territory of Artaud as we can see when applying this passage to precisely the type of theatre Dwr tries to avoid. If people are out of thehabit of going to the theater, if we have all finally come to think of theateras an inferior art, a means of popular distraction, and to use it as an outletfor our worst instincts, it is because we have learned too well what thetheater has been, namely, falsehood and illusion. It is because we have beenaccustomed for four hundred years, that is since the Renaissance, to a purelydescriptive and narrative theater storytelling psychology; it is becauseevery possible ingenuity has been exerted in bringing to life on the stageplausible but detached beings, with the spectacle on one side, the public onthe other and because the public is no longer shown anything but the mirrorof itself. Shakespeare himself is responsible for this aberration and decline,this disinterested idea of the theater which wishes a theatrical performance toleave the public intact, without setting off one image that will shake theorganism to its foundations and leave an ineffaceable scar. If, in Shakespeare,man is sometimes preoccupied with what transcends him, it is always in order todetermine the ultimate consequences of this preoccupation within him, i.e.,psychology. (Artaud,No More Masterpieces, 1976) Evensuch divides as between audience and actors, theatrical conventions that are sohabitual as to often be altogether forgotten, were not sacrosanct enough fordirectors, playwrights and actors such as Brecht, Artaud and Svoboda. TheBrechtian impact or the alienation of theatrical tradition Earlierin this dissertation, it was suggested that Aristotles views on theatre andsubsequent impact thereon had diminished somewhat with the dawn of a time wherethe philosophies of the Ancient Greeks mattered little. However, the centuriesthat his views transcended have signified that they could not dissipate soquickly. Many modern opinions on theatre, however avant-garde or post-modernistthey wish or claim to be, are still formed largely on the back of the opinionsof men such as Aristotle. However, this obstacle would be taken to piece by menand women like Brecht, who wished not to merely co-exist with existing viewsbut confront their defenders and destroy the ideological entrenchment that manytheatre critics had resorted to in the face of the changes sweeping throughtheir beloved art form. In his early plays, Brechtexperimented with dada and expressionism, but in his later work, he developed astyle more suited his own unique vision. He detested theAristotelian drama and its attempts to lure the spectator into akind of trance-like state, a total identification with the hero to the point ofcomplete self-oblivion, resulting in feelings of terror and pity and,ultimately, an emotional catharsis. He didnt want his audience to feelemotionshe wanted them to thinkand towards this end, he determined todestroy the theatrical illusion, and, thus, that dull trance-like state he sodespised. The result of Brechts research was a technique known asverfremdungseffekt or the alienation effect. It wasdesigned to encourage the audience to retain their critical detachment. (Imagi-nation,2003) Thisis not to say though that to achieve such an accomplishment was possible formerely any theatrical commentator. It took men of special gumption, gravitasand guts to dare attack such a powerful establishment as that of traditionaltheatre. Bertolt Brecht was one of these. Blessed with the ability to fightbattles on several fronts whilst still maintaining a clear head, Brecht beganto cause controversy early on in his career. Looking to fulfill a desire formore relevant and modern theatre amongst German theatre-going audiences,Brecht, through plays such as Drums in the Night and with therecognition of director Erich Engel, flirted with an expressionistic style thatbefitted his rising status but left Brecht himself feeling uncomfortable.Although his style was becoming fashionable and it would undoubtedly havebrought him his time in the spotlight, Brecht felt that he should discover aplaywriting identity which was his own and not borrowed from anybody else. Ifwe consider that at this ti me Brecht was writing in post World War I Germany,we can observe the bravery it must have taken for him to make this type ofdecision. Duringthe turbulent years of the socialist rise in Germany and the Weimar Republic,Brecht knew a modest amount of success in both theatre and literature thanks toplays such as In the Jungle of the Cities and his partnership with Engeland Hans Eisler but he was only just beginning to find his feet in a style allof his own. The final step in this direction would be his years with his owncollective of writers, the most famous fruit of which would be the Lehrstuckewhich would form the root of the theatrical changes and theories we thinkof as Brechtian today. Lehrstucke propounded that passive audiences werea thing of the past in matters of theatre and that it was necessary foraudiences to become more actively involved in a performance whilst keeping astrong level of emotional distance in order to remain capable of rational thoughtand criticism. This collection of thoughts would slowly pass into commonpractice in theatrical troupes and communities around the world, a practiceknown as epic theatre. Epictheatre today may seem as historical and passÃÆ'ÂÂ © as Aristotles views did forBrecht but the truth is that the numerous and varied adaptations of epictheatre have formed much of todays common theatrical practices. Before Brecht,the demarcation between the audience and the actors was sacrosanct. SinceAristotle, the status of the star actor had risen so much that now actors wouldmerely be cast in a role that was known to be in their repertoire, a fact whichcould lead to truly spectacular levels of diva treatment or ridiculouscastings. Take for example Sarah Bernhardt whose notoriety had reached suchproportions that she cast herself as Hamlet. This is not to say there isanything wrong with female actors playing traditionally male Shakespeareanparts but it is the manner in which Bernhardt carried out this casting that madethe situation ridiculous. Aristotle lamented this type of situation as beingone of the great plagues striking tragedy theatre whilst Brecht merely laughedat it and lambasted it in his own style. His patented Verfremdungseffekt (or estrangement effect) was a sweepingly original style which not only acknowledged the audience as a part of a theatrical production and encouraged them to change their own attitudes to theatre. Instead of allowing traditional suspension of disbelief and letting audiences feel as if they were watching a truthful event, Brecht went out of his way to remind them that what they saw was a representation, a mirror onto reality and never reality itself. This was carried out by having actors suddenly break character and address the audience to explain the plot, grossly over-exaggerated props or sets in the middle of an otherwise serious play or great placards on the stage asking the audience to behave in a certain way by ignoring a particular happening or to stare less romantically. These unusual situations for an audience confused them and alienated them from the play, hence the name alienation or estrangement effect. This separation from conventional thea trical theory became very fashionable after the war in both America where he lived until being pestered by HUAC and in communist East Germany where he resided until his death in 1953. The appeal of Brechts type of theatre across the globe speaks volumes about how the traditions of theatre were rejected by a large section of theatre going audiences. The sensory feel of the Verfremdungseffekt were indirect but by creating this new separation of audience and stage in an allegorical as well as in a physical sense, Brechtian theatre enabled its audiences and directors to experiment with new sensations. The greatest example of this is in some of Brechts later plays such as The Good Person of Szechwan and Galileo. For example, in Galileo, the portrait he paints of the astronomer is of a tortured soul wracked between his scientific duty to tell the truth to an unsuspecting world and the threat of vengeance from the dark figure of the Grand Inquisitor. This moral dilemma was planned by Brecht as a way to get his audience to think rationally about the situation and contemplate what they would do in such a situation rather than feeling sorry for Galileo. However, if Brecht had one failing, it was that despite his ability to meld together a myriad of sources into a convincing single narrative, he did not understand the human nature of his public. Persuaded that with the right play, he could force his audience into abandoning their emotional side, whether he realized it or not Brecht was asking people to set aside the precise reason most of them came to the theatre. His theories resulted in a number of epic dramas, among them Mother Courage and Her Children which tells the story of a travelling merchant who earns her living by following the Swedish and Imperial armies with her covered wagon and selling them supplies: clothing, food, brandy, etc As the war grows heated, Mother Courage finds that this profession has put her and her children in danger, but the old woman doggedly refuses to give up her wagon. Mother Courage and Her Children was both a triumph and a failure for Brecht. Although the play was a great success, he never managed to achieve in his audience the unemotional, analytical response he desired. Audiences never fail to be moved by the plight of the stubborn old woman. (Imagi-nation, 2003) Anemotional journey where characters could and should be empathized with orcondemned was much of what has always constituted theatres engagement. Eventhe averagely smart and aware audience member does not need the moral absolutesof right and wrong as claimed by Aristotle but the desire to identify with oneor more of the central characters instead of merely rationalizing about theirfates without feeling was too strong in the vast majority of theatre-goers. Brechtis claimed doubly to be both a modernist or one of the first post-modernists.Although some claims have been made that a taste for his kind of theatre quicklyinspires in the face of so much cynicism, his importance and the size of hisimpact upon world theatre cannot be underplayed. Today, many of his conventionsare so common as to be taken for granted whilst a collective of Brechtiansstill operates and remains as long-standing proof to the glory of his genius. Conventionalrelief in theatre and Artauds rejection of it Everygeneration is locked in a perpetual struggle with those that come both beforeand after to break free from the shackles of their ancestral traditions, carvetheir own identity and thus prepare the way for a similar fight with thegenerations that are to follow. Although social morays may seem to remain stilland constant, this is only an illusion, one that can only too easily be piercedby artistic expression. Artists have often been marginalized as second-ratemembers of society, ones that are not indispensable to the everyday running ofour lives. Seen as not producing useful since all their efforts did not feed,clothe or warm anybody, it became a painful reality that if actors or musicianswanted to survive, they were required to curtail any creativity and pander toprecisely what their audiences desired. While this unfortunate turn of events could be passed off as a mere passage in the history of theatre, it left behind some highly tell-tale signs. The simplest of these is that from the Renaissance onward through the Classical period, theatre had become significant with escapism. The majority of plays, and here one cannot deny Aristotles continuing influence, harked back to former days lamenting a fallen age of glory, honour and noble deeds. Whilst this fond reminiscing was unimpeachable in its desire to awaken a better side of humanity in audiences, it often met with boredom and

Contradictions In The Puritan Religion :: essays research papers

Contradictions In The Puritan Religion   Ã‚  Ã‚  Ã‚  Ã‚  Life is full of many contradictions, and the basis of the Puritan religion is no exception. The Puritans believed that they were God's chosen people, as mentioned in the Bible. They saw themselves on a level above the average man, but in reality, their religion was full of inconsistencies. The Puritans believed in something known as the ‘Doctrine of Elect,' hinted at in Romans 8:28-30, 9:6-24, and later at the Synod of Dort.. The doctrine contradicted the more widely held belief of Pelagianism, the belief that man could redeem himself through acts of charity, piety, and by living an unselfish life. It came to be one of the greatest theological discrepancies of all time. Evidently, the Puritan beliefs were almost entirely contradictory.   Ã‚  Ã‚  Ã‚  Ã‚  Some of the Puritan beliefs were both simple and believable. Others would seem outrageous today. Puritanism was founded on the principles and beliefs of John Calvin, and one of the major ideals they focused on was the doctrine of predestination. Calvin believed that the grace of God was the ticket into Heaven and that his grace could not be earned. God's grace was bestowed upon a select few regardless of what they did to earn it. This ‘ doctrine' stated that God determines a mans' destiny, whether it be redemption or condemnation, regardless of any worth or merit on the person's part. It could be compared to the failures of Communism in that no matter how hard a person worked, how devout a person was, how often a person went to church, there was no way to get into Heaven unless they were chosen. Aside from the doctrine of elect, the Puritans had other outrageous beliefs including the degradation of one's self, the utter and total dependence on divine grace for salvation, and the wrath of an angry God.   Ã‚  Ã‚  Ã‚  Ã‚  The God worshipped by the Puritans was not a forgiving God, and definitely not a happy God. The Puritans fear him and tried zealously to make themselves worthy in his eyes. They insisted that they, as God's special elect, had the duty to conduct affairs carrying out his will according to the Bible. Though many of their beliefs seemed outrageous, the most heinous of all was the aforementioned ‘Doctrine of Elect.'   Ã‚  Ã‚  Ã‚  Ã‚  If this ‘Doctrine of Elect' guaranteed the chosen a spot in heaven, then there was no reason for them to behave as pious, God-fearing Puritans. There was no reward after death for those who had been good and were not ‘chosen.' The standard was the same for the special few who made their way onto God's

Hindi gk Essay

To acquaint students with the economic problems and solve the problems at local and national level To familiarize students with basic ideas in economics To foster an urge among students for effective participation. To prepare students to cope with stress and strain. To develop an understanding of the nations resources To develop among students a favorable attitude To help the students to understand that various sectors must develop equally. To develop among students a passion tor social Justice. To help students to acquire skills. Objectives of teaching economics at Higher Secondary Level: 1 . To acquire the knowledge of facts, terms, concepts, trends, principles, problems and processes of economics. 2. To develop understanding of trends, principles, processes, etc in economics. 3. To apply the acquired knowledge and its understanding to unfamiliar situation. 4. To acquire economic skills like drawing maps, charts, tables, diagrams, graphs, etc. 5. To evelop interest in the subject and problems related to the economic life of the people. 6. To develop desirable attitudes necessary for developing a broader outlook. ) Correlation of Economics with Commerce, Mathematics, History, Geography, Science, Languages. Meaning of correlation: 0 Technique which establishes reciprocal relationship between different subjects of the curriculum for the better and clear understanding of the subject under discussion. 0 Acc. To Raymont, â€Å"No subject is ever well understood and no art is intelligently practiced, if the light which the other studies are able to throw upon it is eliberately shut out. † 0 Knowledge is one invisible whole, which cannot be divided into water tight compartments. Reasons for correlation: 0 Stability of knowledge 0 Economy of knowledge 0 Development of interest in the subject 0 Makes the burden of the curriculum light 0 Development of human and social qualities Types of Correlation: 1) Incidental Correlation: correlation between subjects occurring by chance not planned. 2) Planned Correlation: It’s a deliberate attempt to correlate subjects. There are two types of planned correlation: a) Vertical Correlation- correlation of economics with various branches of economics ) Horizontal correlation- correlation of economics with other subjects c) Correlation with life. Correlation of Economics with Commerce: Main aim in Commerce is 0 to study about business, industry, trade and organization 0 study all activities beginning from production and leading up to distribution 0 study of trade, banking, export, import, book-keeping, etc All the above are closely associated with economics. Economics and commerce cannot be studied separately. They are inter-twined. Through the knowledge of commerce, it is possible to run the economy of a country more efficiently. Correlation ot Economics witn Mathematics: 0 There exists very close relationship of economics with mathematics particularly statistics. Most of the economic theories are propounded on the basis of statistical data. 0 In economics we make use of various mathematical symbols. 0 To formulate theories, Geometry and Algebra are widely used. 0 Without statistics the knowledge of economics remains incomplete. Marshall said, â€Å"Statistics are the straw out of which, I like every other economist have to make bricks†. 0 To draw graphs, sketches, and tables the teacher of economics depends on mathematical knowledge. Correlation of Economics with History: 0 Both subjects are social sciences. 0 After Industrial Revolution production of quantity and quality of goods improved. Also resulted in competitive business for marketing of finished goods. Gave rise to infighting among various developed European powers which resulted in huge wars and new powers emerged. 0 First and Second World Wars were fought for economic considerations. 0 To get knowledge of various economic factors that were responsible for various historical events, we have to depend on history. 0 History tells about the economic development of various countries. When we read a particular period in history, we learn about economic conditions prevailing in that period. The beginning of medium of exchange such as gold coins and others are studied in history. Correlation of Economics with Geography: 0 In economics we study about various goods. The production is governed by various geographical factors such as nature of soil, climate. 0 Economic conditions of a country depend to a large extent on its geographical conditions. 0 India could become a great power in ancient times because of its geograp hical situation and other conditions. Agriculture, industry and other economic activities depend to a large extent on geographical factors. C] Availability of raw materials means of transport and types land (plateaus, deserts, mountains, etc) are considered in major decisions of business. 0 Certain industries and trade develop in a particular place when geographical conditions favor them. Correlation of Economics with Science: 0 Teaching is a technical Job. It requires certain qualities of head and heart. Every teacher must familiarize herself/ himself with the time honored maxims of teaching which are evolved as a result of long experience in teaching and research in ducational psychology. To explain the concept of Diminishing Marginal Utility give water to a student to drink and ask other students to observe how is urge for drinking water decreases gradually at that point of time. v) Particular to General 0 Examples and facts should be presented to students before giving them the general rules or principles. 0 Study of particular facts should lead the children themselves frame general rules and generalizations 0 Same principle adopted in inductive method of teaching 0 E. g. discuss adulteration of different products, cheating done to consumers and then teach the concept of Consumer Protection.

Hardware Controls, Proper Risk Assessment, And Management...

3. There are many components including each of the general controls, applications controls, proper risk assessment, and management policies. Each of the previously mentions plays a key roles in the organizational framework but must be utilized in the proper manner to work reliably and effectively. - General Controls include software, hardware, computer operations controls data security, implementation, administrative controls and basically dictate all aspects of the organizations information technology infrastructure. Software controls monitor systems and prevent access from authorized users. Hardware controls make sure that the actual hardware is safe and is always checking to make sure that the equipment doesn’t malfunction. This also covers the backup systems. Computer operations controls keep the data in check by correctly storing it. Data security does just as it suggests keep the data safe in whatever form so that it is not destroyed or altered. Implementation is basically the systems checker and makes sure that at each point the controls are working. Lastly administrative controls are used to create rules and procedures that need to be carried out in order to keep the system running in proper order. - Application Controls are more specific and are often more unique to each organization and make sure that the accurate data is processed for the organization. These controls are input, processing, and output. Input controls which is just like a fact checker and makeShow MoreRelatedRisk Management Is The Process Of Information System Management Essay942 Words   |  4 Pages Risk Management: Risk management is the process of information system managers applies to balance the operational and economic costs of protective measures for their information and information systems. As a part risk management process, organizations (Stoneburner, 2002) select and apply security controls for their information and information systems. 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